munro live_
1.求09格莱美获奖名单
2.英语书虫读后感
3.请人帮个忙,<飞越疯人院>的影评谁帮我写点,非常感谢了!!!!!!!!!!!!!
4.英语小故事的读后感
5.《逃离》的英文主题简介
6.格莱美的获奖曲目和歌手名 2009
7.翻译 short story writer alice munro此阅读
://dcc.ndhu.edu.tw/trans/chenli/audiomap.htm
《400年英语情诗名作选》有声地图
(一) 在这些网站可以找到相关英语情诗的朗读：
● ://.eaglesweb/poets.htm
这个网站收录了Walter Rufus Eagles 念的下列英诗名作——
斯宾塞 “My love is like to ice, and I to fire”；
杜雷顿 “ Since there’s no help, come let us kiss and part”；
莎士比亚 十四行诗第18首：“Shall I compare thee to a summer’s day?”；
十四行诗第129首：“The expense of spirit in a waste ”；
姜森 “To Celia: Drink to me only with thine eyes”；
荷立克 “Delight in Disorder”（= “The Poetry of Dress”）；
马维尔 “To His Coy Mistress”；
布莱克 “The Sick Rose”；
杭特 “Jenny Kiss’d Me”；
雪莱 “Music, when soft voices die”， “Love’s Philosophy”；
济慈 “Bright Star”（= “The Last Sonnet”）；
夫人 “If thou must love me”， “How do I love thee? ”；
丁尼生 “Now sleeps the crimson petal”；
阿诺德 “Dover Beach”；
狄瑾荪 “The Soul selects her own Society”，
“My life closed twice before its close”（= “Parting”）；
克莉丝汀娜．罗塞蒂 “The First Day”， “Song: When I am dead, my dearest”， “Remember”；
浩斯曼 “When I was one-and-twenty”；
叶慈 “When You Are Old”；
New！ 叶慈 “Down by the Salley Gardens”；
汤玛斯 “In My Craft or Sullen Art”。
● ://.wiredforbooks.org/poetry/richard_stevens.htm
这个网站收录了Richard Stevens 念的下列情诗名作——
莎士比亚 十四行诗第18首；
布莱克 “The Sick Rose”；
彭斯 “A Red, Red Rose”；
杭特 “Jenny Kiss’d Me”。
● ://writersalmanac.publicradio.org/docs/01_03_05.htm
莎士比亚 十四行诗第71首：“No longer mourn for me when I am dead”（Garrison Keillor 念，3'26" 处开始）。
● ://.luminarium.org/sevenlit/donne/donnebib.htm
无名氏 “Aubade”（= “Break of Day”）；
唐恩 “Break of Day”， “Love’s Alchemy”。
● ://.wwnorton/nael/noa/mp3/audio_16c_04.mp3
斯宾塞 “One day I wrote her name upon the strand”（James Kn 念）。
● ://.unc.edu/courses/pre2000fall/engl25/readings/catalog.html
菲莉普丝 “To My Excellent Lucasia, on Our Friendship”。
● ://.aoxy91.dsl.pipex/spokenpoems1.htm
布莱克 “The Sick Rose”；
“Now”；
惠特曼 “The Beautiful Swimmer”；
丁尼生 “Now sleeps the crimson petal”。
● ://.mathcs.duq.edu/~tobin/PR_Critic/Audio.html
罗塞蒂 “Sudden Light”；
克莉丝汀娜．罗塞蒂 “Remember”。
● ://.elycia.net/spooktacular/#5a
爱伦坡 “Annabel Lee”（Alexander Scourby 念）。
● ://.nlu.edu/~eller/amlit/focus/gothic/poegoth.htm
爱伦坡 “Annabel Lee”（神秘志怪版）。
● ://1.didson.edu/academic/english/EmilyDickinson/audible.html
狄瑾荪 “Love-thou art high”。
● ://.spokenpoetry.co.uk/Bpokenpo/Bpokenpo/cloths.htm
叶慈 “He Wishes for the Cloths of Heen”（Bill Charlton 念）。
● ://writersalmanac.publicradio.org/docs/01_11_19.htm
米蕾 “What lips my lips he kissed”（Garrison Keillor 念，3'12" 处开始）。
● ://writersalmanac.publicradio.org/docs/02_10_21.htm
汤玛斯 “In My Craft or Sullen Art”（Garrison Keillor 念，3'05" 处开始）。
● ://.factoryschool.org/content/sounds/poetry/stevens/soliloquy.ram
史蒂文斯 “Final Soliloquy of the Interior Paramour”（史蒂文斯 念）。
(二) 在这些 CD 里可以找到相关英语情诗的朗读：
● Shakespeare Sonnets 1-77（Helios CDH88021）
Shakespeare Sonnets 78-154（Helios CDH88022）
这两张 CD 收录了Jack Edwards 念的莎士比亚全部十四行诗。
● Seven Ages: An Anthology of Poetry with Music
（Naxos Audiobooks．NA218912）
这两张 CD 收录了下列情诗名作的朗读——
莎士比亚 十四行诗第18首；
荷立克 “Upon the Nipples of Julia’s Breast”；
彭斯 “A Red, Red Rose”；
阿诺德 “Dover Beach”；
克莉丝汀娜．罗塞蒂 “The First Day”；
浩斯曼 “When I was one-and-twenty”；
劳伦斯 “Green”。
● 81 Famous Poems: An Audio Companion to The Norton Anthology of Poetry
（Audio Partners．0945353820）
这两张 CD 收录了下列情诗名作的朗读——
莎士比亚 十四行诗第18首，第129首；
姜森 “To Celia”；
荷立克 “Delight in Disorder”；
彭斯 “A Red, Red Rose”；
济慈 “Bright Star”；
夫人 “If thou must love me”；
爱伦坡 “Annabel Lee”；
丁尼生 “Now sleeps the crimson petal”；
阿诺德 “Dover Beach”；
狄瑾荪 “The Soul selects her own Society”。
● W. B. Yeats Read by T. P. McKenna
（Hodder Headline Audiobooks．HH184）
这张 CD 里有 T. P. McKenna 念的叶慈的 “When You Are Old”
以及 “He Wishes for the Cloths of Heen”。
(三) 在这些网站可以找到被谱成歌的相关英语情诗的演唱：
● ://210.218.40.142/~gwakdh/chorus.htm（韩国网站）
无名氏 “April is in my mistress’ face”（Morley 曲，四声部合唱）。
● ://.wimbledonchamber.ndo.co.uk/sound.htm
无名氏 “April is in my mistress’ face”（Morley 曲，温布顿室内合唱团）。
● ://music.download/coraldesodomingos/3615-8874_32-100289346.html?tag=MDL_more_songs
无名氏 “April is in my mistress’ face”（Morley 曲，葡萄牙 Coral de S. Domingos）。
● ://.pythagorean.org/k-c/music.htm
New！ 莎士比亚 “O mistress mine”（Morley 曲，常用版本）。
● ://.wwnorton/nael/noa/audio_shakespeare.htm
莎士比亚 “O mistress mine”（Morley 曲，第二种版本）。
● ://.banchieri.hu/english/music.htm
莎士比亚 “O mistress mine”（Orbán Gy?rgy 曲，Banchieri Singers）。
● ://.peoplespub/dana/danasongs.htm
莎士比亚 “O mistress mine”（Orbán Gy?rgy 曲，UWMC Choir）。
● ://.musicanet.org/en/CdC/augu01en.htm
莎士比亚 十四行诗第18首：“Shall I compare thee to a summer’s day”（Nils Lindberg 曲，欧洲青年合唱团）。
● ://.bessbonnier/listen/
这个网页可以听到女乐手 Bonnier 爵士乐风的莎士比亚——
莎士比亚 十四行诗第18首： “Shall I compare thee to a summer’s day?” （Bess Bonnier 曲．演唱）；
莎士比亚 “O mistress mine”（Bess Bonnier 曲．演唱）；
莎士比亚 “It was a lover and his lass”（Bess Bonnier 曲．演唱）。
● ://.cla.calpoly.edu/~smarx/courses/204/renaissance song
New！ 莎士比亚 “It was a lover and his lass”（Morley 曲，女声独唱）。
● ://.h.at/lorinwey/dt/klang.htm
New！ 莎士比亚 “It was a lover and his lass”（Morley 曲，童声女高音 Lorin Wey ）。
● ://.sac.or.kr/gallery/music/sac_sound.jsp（韩国网站）
莎士比亚 “It was a lover and his lass”（Morley 曲，韩国合唱团）。
● ://.markuhlemann/sound.html
New！ 莎士比亚 “It was a lover and his lass”（Finzi 曲，Mark Uhlemann 演唱）。
● ://.musicair.co.uk/forsale.htm
莎士比亚 “It was a lover and his lass”（Madeleine Dring 曲，Georgina Colwell）；
雪莱 “Love’s Philosophy”（Quilter 曲，Georgina Colwell）。
● ://.pacificsoundcraft/recordings/2003-03-22-sally-porter-munro
莎士比亚 “It was a lover and his lass”（Madeleine Dring 曲，Sally Porter Munro）；
雪莱 “Love’s Philosophy”（Quilter 曲，Sally Porter Munro）；
叶慈 “The Cloths of Heen” (先另存目标，再播放)（Dunhill 曲，Sally Porter Munro）。
● ://.klassikakzente.de/product.jsp?eanPrefix=00289&articleNo=4775336&mode=productDetails&name=Silent+Noon
莎士比亚 “O mistress mine”（Quilter 曲，Terfel 唱）；
浩斯曼 “When I was one-and-twenty”（Somervell 曲，Terfel 唱）；
叶慈 “The Cloths of Heen”（Elwyn-Edwards 曲，Terfel 唱）；
叶慈 “The Cloths of Heen”（Dunhill 曲，Terfel 唱）。
● ://.lindamaguire/audio/audioclips.html
姜森 “To Celia: Drink to me only with thine eyes”（Linda Maguire）。
● ://.cs.knct.ac.jp/~kazunobu/kve/KVE.html
姜森 “To Celia: Drink to me only with thine eyes”（熊本合唱团）。
● ://sop1.kaist.ac.kr/~gari/music.html （韩国网站 My Forite Music）
New！ 彭斯 “A Red, Red Rose”（女高音，管弦乐伴奏版）。
● ://.la-nef/html/6extras/mp3/red-red-rose/My Love Is Like A Red, Red.mp3
彭斯 “A Red, Red Rose”（女高音 Meredith Hall）。
● ://.sac.or.kr/gallery/music/sac_sound.jsp（韩国网站）
彭斯 “O whistle, and I’ll come to ye”（Mack Wilberg 编曲，韩国大邱市合唱团）。
● ://.perfectpop.no/audio.htm
杭特 “Jenny Kiss’d Me”（挪威歌手 Haakon 曲．演唱）。
● ://.classicalsinger/sites/index.php?pt=5&user_id=87602
雪莱 “Music, when soft voices die”（Quilter 曲，Darla Glover）。
● ://stage.vitaminic.co.uk/main/polifonica_10_ensemble_il_meliloto
雪莱 “Music, when soft voices die”（Hubert Parry 曲，米兰 Il Meliloto 合唱团）。
● ://.koober.org（唯一神教会合唱团 2004/2/15 录音）
雪莱 “Music, when soft voices die”（John Monchnick 曲，Unitarian Universalist Church）。
雪莱 “Love’s Philosophy”（John Mochnick 曲，Unitarian Universalist Church）
● ://music.lib.ru/f/fedya_tol_co/alb1.shtml（第15 首）
雪莱 “Music, when soft voices die”（俄国女歌手英、俄语演唱版）。
( 雪莱此曲先复制下面网址 ，贴於网址列中再按 Enter，即可聆听 )
://mp3.music.lib.ru/mp3/f/fedya_tol_co/fedya_tol_co-pesni_umolkshej_motiw-2.mp3
● ://.alive365/media.html
New！ 爱伦坡 “Annabel Lee”（摇滚歌曲版）。
● ://.grangergroupinc/music.html
爱伦坡 “Annabel Lee”（Glenn Gordon 曲，Donya Lane）。
● ://.litaker.de/deutsch/multimedia_daudio.html
丁尼生 “Now sleeps the crimson petal”（Benjamin Britten 曲，Donald Litaker）。
● ://.melulrich/audio.htm
阿诺德 “Dover Beach”（Samuel Baber 曲，Mel Ulrich）。
● ://.pacificsoundcraft/recordings/2004-03-07-rimsky-korsakov
阿诺德 “Dover Beach”（Samuel Baber 曲，Frank Daniels）。
● ://.classiccat.net/copland_a/1poed.htm
狄瑾荪 “ Heart! We will forget him!”（Copland 曲，Sharon Pucci）。
● ://.englishtenor.co.uk/mp3.htm
叶慈 “The Cloths of Heen”（Dunhill 曲，Gordon Pullin）。
● ://.sabinegarrone/music
New！ 叶慈 “When You Are Old”（Bridge 曲，Sabine Garrone 唱）。
● ://.arthurlovesplastic/lisa/mp3/innocent/whenyouareold.mp3
叶慈 “When You Are Old”（Lisa Moscatiello 曲．唱）。
● ://.ugcofnyc.org/sounds.asp?action=folder&id=5&name=CD%20-%20Yeats%20Practice
叶慈 “A Drinking Song”（Francisco J. Nú?ez 曲，纽约市 University Glee Club）。
● ://sop1.kaist.ac.kr/~gari/music.html （韩国网站 My Forite Music）
New！ 叶慈 “Down by the Salley Gardens”（Britten 曲）。
● ://.texclectic/framemp3.htm
道森 “Cynarae”（蓝调风格，Jeffrey Barnes）。
(四) 在这些 CD 里可以找到被谱成歌的相关英语情诗的演唱：
● The Norton Anthology of English Literature．Audio Companion
（W. W. Norton & Company）
莎士比亚 “O mistress mine”（Morley 曲，Alfred Deller）；
莎士比亚 “It was a lover and his lass”（Morley 曲，Did Gordon）；
唐恩 “Break of Day”（Vaughn Williams 曲，Susan Bender）；
夫人 “How do I love thee? ”（Elizabeth Everest Freer 曲，Susan Bender）；
克莉丝汀娜．罗塞蒂 “Song: When I am dead, my dearest”（Vaughn Williams 曲，Susan Bender）。
● Arleen Auger: Love Songs
（Delos Records．3029）
这张 CD 收录了Arleen Auger演唱的下列情诗名作——
雪莱 “Music, when soft voices die”（Quilter 曲）；
雪莱 “Love’s Philosophy”（Quilter 曲）；
夫人 “How do I love thee? ”（Edouard Lippe 曲）；
狄瑾荪 “ Heart! We will forget him!”（Copland 曲）。
● Bryn Terfel: Silent Noon
（Deutsche Grammophon．4775336）
这张 CD 收录了Bryn Terfel 演唱的下列情诗名作——
莎士比亚 “O mistress mine”（Quilter 曲）；
丁尼生 “Now sleeps the crimson petal”（Quilter 曲）；
浩斯曼 “When I was one-and-twenty”（Somervell 曲）；
叶慈 “The Cloths of Heen”（Dunhill 曲）；
叶慈 “The Cloths of Heen”（Elwyn-Edwards 曲）。
● Bryn Terfel: The Vagabond
（Deutsche Grammophon．4459462）
这张 CD 收录了Bryn Terfel 演唱的下列情诗名作——
莎士比亚 “O mistress mine”（Finzi 曲）；
莎士比亚 “It was a lover and his lass”（Finzi 曲）；
浩斯曼 “When I was one-and-twenty”（Butterworth 曲）。
● The English Lute Song
（Dorian Recordings．90109）
莎士比亚 “April is in my mistress’ face”（Morley 曲，Julianne Bard）。
● O Mistress Mine: A Collection of English Lute Songs
（Dorian Recordings．90136）
莎士比亚 “O mistress mine”（Morley 曲，Frederick Urrey）。
● Greensleeves: A Collection of English Lute Songs
（Dorian Recordings．90126）
莎士比亚 “It was a lover and his lass”（Morley 曲，Julianne Bard）。
● The Very Best of English Song with Orchestra
（EMI Classics．5858962）
布莱克 “The Sick Rose”（Britten 曲，Robert Tear）；
浩斯曼 “When I was one-and-twenty”（Vaughn Williams 曲，Ian Bostridge）。
● Ian Bostridge: The English Songbook
（EMI Classics．5568302）
丁尼生 “Now sleeps the crimson petal”（Quilter 曲，Ian Bostridge）；
叶慈 “The Cloths of Heen”（Dunhill 曲，Ian Bostridge）。
● Dreams and Fancies : Fourite Songs in English
（CRD Records．3473）
丁尼生 “Now sleeps the crimson petal”（Quilter 曲，Sarah Walker）；
叶慈 “The Cloths of Heen”（Dunhill 曲，Sarah Walker）。
● Rita Stretch: Folksongs & Lullabies
（Deutsche Grammophon．4577632）
姜森 “To Celia: Drink to me only with thine eyes”（Rita Stretch）。
● My Love is Like a Red, Red Rose: Love Songs by Robbie Burns
（ATMA Classique．ACD2 2336）
彭斯 “A Red, Red Rose”（Meredith Hall）。
● Rebecca Clarke: The Cloths of Heen
（Guild．7208）
叶慈 “The Cloths of Heen”（Rebecca Clarke 曲，Patricia Wright）。
● Songs by Roger Qüilter
（Hyperion．66878）
这张 CD 收录了John Mark Ainsley 演唱的 Quilter 歌曲——
莎士比亚 “O mistress mine”；
姜森 “To Celia: Drink to me only with thine eyes”；
雪莱 “Music, when soft voices die”；
雪莱 “Love’s Philosophy”；
丁尼生 “Now sleeps the crimson petal”。
● Qüilter Songs
（Chandos．8782）
这张 CD 收录了Benjamin Luxon 演唱的 Quilter 歌曲——
莎士比亚 “O mistress mine”；
雪莱 “Music, when soft voices die”；
雪莱 “Love’s Philosophy”；
丁尼生 “Now sleeps the crimson petal”。
● The Songs of Frank Bridge
（Hyperion．67181／2）
雪莱 “Music, when soft voices die”（Bridge 曲，Louise Winter）；
阿诺德 “Longing: Come to me in my dreams”（Bridge 曲，Jamie MacDougall）；
叶慈 “When You Are Old”（Bridge 曲，Gerald Finley）。
● A Century of English Song, Volume 2
（SOMM Recordings．214）
阿诺德 “Longing: Come to me in my dreams”（Somervell 曲，Sarah Leonard、Malcolm Martineau）；
浩斯曼 “When I was one-and-twenty”（Somervell 曲，Malcolm Martineau）。
● When I was one-and-twenty: Butterworth & Gurney Songs
（Chandos．8831）
浩斯曼 “When I was one-and-twenty”（Butterworth 曲，Luxon）。
求09格莱美获奖名单
1. “A Good Man is Hard to Find,” Flannery O’Connor
Few short stories he stuck with us as much as this one, which is probably O'Connor's most famous work — and with good reason. The Misfit is one of the most alarming serial killers we've ever met, all the more so for his politeness, and the story’s moral is so striking and terrifying that — whether you subscribe to the religious undertones or not — a reader is likely to finish and begin to reexamine their entire existence. Or at least we did, the first time we read it.
《好人难寻》这篇是奥康纳最为著名的作品，很少有其他短篇能像这篇一样给我们带来震撼。无论你是否能明了宗教般的潜在含义，看完这篇读者都会开始或是结束对存在的检视。
2. “The School,” Donald Barthelme
This story is very short, but pretty much perfect in every way. Though Barthelme is known for his playful, post modern style, we admire him for his ability to shape a world so clearly from so few words, chosen expertly. Barthelme never over explains, never uses one syllable too many, but effortlessly leads the reader right where he wants her to be. It's funny, it's absurdist, it's sad, it's enormous even in its smallness. It may be this writer’s forite story of all time. You should read it.
这篇很短，但是堪称完美。巴塞尔姆的优秀就在于他能用精选的极少几个文字就为我们叙述了一个世界。他很少过多地解释，就把读者带到了他想要你去地方。
3. “In The Penal Colony,” Franz Kafka
Kafka called this one his“dirty story,”and thought it imperfect, but it's one of our forites of his (though we also recommend “The Hunger Artist”and“A Country Doctor”). It's so obviously a story about writing, in some ultimate way — a machine punishes its victims by writing on them over and over until their bodies give out — but its as if, while the body is the source of every problem in the tale, every weakness, it is also the only place where true knowledge can be translated.
卡夫卡称自己的这篇是一个“很脏的故事”，认为并不完美，但是这个短篇确实我们的最爱之一。在中，我们可以体会到，身体是一切问题和弱点的根源，但身体也是唯一能转化真知的地方。
4. “Signs and Symbols,”Vladimir Nabokov
Another short one, we revere this story for its ability to turn every tiny detail into a portentous disaster, not to mention the fact that it's penned in Nabokov's effortlessly gorgeous, silvery prose. An old Jewish couple goes to visit their son in the mental hospital, only to be turned away because he has attempted to kill himself. And that's it, really. They go home and look though a photo album, eat some jam. The phonerings. But the whole thing is, perhaps, both a comment on the nature of insanity and the nature of the short story itself, with all its rules and strangeness and banality. And all its symbols, of course.
我们喜欢这篇的原因就在于，这个故事有能力把每个细微的细节瞬间变为一场灾难，而Nabokov在写这篇用的是轻松华丽水银泻地般的散文风格。
5. “Gooseberries,” Anton Chekhov
Chekhov's stories are indisputably among the greats, and this one, written rather late, is one of our forites. Chekhov probes at both the frailty and the worth of humanity, not to mention the natureof life, both for the fortunate and the unfortunate. But like most of Chekhov's stories, there's no clear moral, there's no obvious takeaway. Some men sit around and discuss their thoughts, and we listen, mulling over the suleties for ourselves.
契科夫的无疑是最伟大的作品之一，而这篇是我们的最爱。这篇像他的其他一样，没有清晰的道德标准，我们只是静静地看着几个人围坐着，讨论他们的思想。
6. “Sea Oak,” George Saunders
“Sea Oak” is Saunders's forite of his own stories, we've heard, so because we find it so hard to choose among them, we've included it here on his own recommendation. Absurdist and satirical, and including at least one zombie shouting at her housemates to get laid, it's a weird one. But it's also concerned with placelessness, with family, with poverty, and like all of Saunders's stories, has a good, thumping heart under all that darkness and fun-poking.
这部是桑德斯最为喜爱的一步短篇，这也是我们听说的。因为我们很难做出选择，因此就把他自己的推介放在了这里。这部充满了荒诞和讽刺，但是也关心家庭和贫穷等问题。像他的其他一样，在黑暗和取笑中，也暗含着美好和快乐。
7. “The Ones Who Walk Away From Omelas,” Ursula K. LeGuin
LeGuin's parabolic tale, which won the Hugo Award for best short story in 14, is a weird, spacious story about a city that seems to be a utopia — except for its one flaw, the single child that must always be kept in darkness and wretched misery so that the others may all live hily. Most of the citizens eventually accept this, but some do not, and silently lee the city, vanishing into the world around. Strange but pointed, Le Guin is a master of her genre.
勒古这部寓言般的短篇获得过14年的“雨果奖”，是关于一个类似乌托邦的城市的荒诞又宏大的故事。
8. “The Veldt,” Ray Bradbury
This tale, from one of the greatest science fiction writers in history, is deliciously wicked. Though it was written in 1950, this kind of story — of children driven mad by want, of technology turning on its masters — will never get old. Until technology actually turns on us, that is. Then we probably won't want to hear about it.
布莱伯利作为历史上最富盛名的科幻家，这篇也是通过精心编写的。
9. “The Bear Came Over the Mountain,” Alice Munro
The undisputed queen of the short story, Alice Munro’s work is stark and often heartbreakingly raw, and this story of memory loss and the aching tenderness of human interaction is no different. Fun fact: this story was adapted into the film “Away from Her”, starring Julie Christie and Gordon Pinsent.
门罗是毫无争议的短篇女王，她的作品有一种朴实风格，常常带着心跳般的粗犷，这篇关于丧失记忆以及人类互动中的痛苦和柔弱的也不例外。
10. “The Nose,” Nikolai Gogol
Gogol might be the oldest writer on this list, but he’s also one of the weirdest — in a good way. Nabokov once wrote, “In Gogol…the absurd central character belongs to the absurd world around him but, pathetically and tragically, attempts to struggle out of it into the world of humans — and dies in despair.” What else can an absurd noseless man do, after all?
果戈里应该是这个书单上最久远的作家了，但是他也是最荒诞的家之一。纳博科夫曾近这样写道：“在果戈里的作品中，荒诞的人物属于他周围荒诞的世界，但是却可怜兮兮且悲惨地要逃离他的世界，最终死于绝望”。
英语书虫读后感
年度最佳唱片：《Please Read The Letter》Robert Plant &Alison Krauss
年度最佳专辑： 《Raising Sand》
Robert Plant & Alison Krauss
年度最佳歌曲：Coldplay《Viva La Vida》Guy Berryman, Jonny Buckland, Will Champion &Chris Martin, songwriters
最佳新人：Adele
最佳流行男歌手：John Mayer
最佳流行女歌手：Adele
最佳流行乐队/组合：coldplay《Viva la vida》
最佳流行合唱：Robert Plant &Alicon《Rich Woman》
最佳流行器乐演奏：Eagles 《I Dreamed There Was No War》
最佳流行乐器演奏专辑： Bela Flack《Gingle all the way》
最佳流行演唱专辑：Duffy《Rockferry》
最佳传统流行演唱专辑：Natalie Cole《Still Unforgettable》
最佳舞曲唱片：Daft Punk 《Harder Better Faster Stronger》
最佳电子/舞曲专辑：Daft Punk《Alive 2007》
最佳摇滚歌手： Johne Mayer《Grity》
最佳摇滚乐队/组合：Kings of Lion 《Sex on fire》
最佳硬摇滚演奏：The Mars Volta《Wax Simulacra》
最佳金属演奏： Metallica《My Apocalyse》
最佳摇滚乐器演奏：Za Plays Za &Steve Vai &Napoleon Murphy Brock《Peaches En Regalia》
最佳摇滚歌曲：Bruce Springs《Summer Cloth》
最佳摇滚专辑： 《Viva La Vida》Coldplay
最佳另类音乐专辑：Radiohead《in rainbows》
最佳女R&B歌手：Alicia Keys《Superwoman》
最佳R&B男歌手：Ne-Yo《Miss Independent》
最佳R&B乐队/组合：Al Green &John Legend《Stay with me》
最佳传统R&B歌手：Al Green Featuring Anthony Hamilton《You‘ve Got The Love I Need》
最佳城市音乐/另类歌手：Chrisette Michele &will.i.am《Be ok》
最佳R&B歌曲：Mikkel S. Eriksen, T.E. Hermansen &S. Smith《Miss Independent》
最佳R&B专辑：《Jennifer Hudson》Jennifer Hudson
最佳当代R&B专辑：Mary J.Blige《Growing Pains》
最佳说唱歌手：Lill Wayne《a milli》
最佳说唱乐队/组合：Jay-Z &T.I《Swagga Like Us》
最佳说唱歌曲合作：Estelle &kanye west《美国男孩》
最佳说唱歌曲：Lil Wayne &Static Major《Lollipop》
最佳说唱专辑：
最佳乡村女歌手： Carrie Underwood《Last Name》
最佳乡村男歌手： Brad Paisley《Letter To Me》
作者：格莱美吧发言人 2009-2-9 12:32 回复此发言
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3 回复：Grammy2009年第51届格莱美奖各项完全名单
最佳乡村乐队/组合：《Stay》Sugarland
最佳乡村合唱： Robert Plant &Alison Krauss《Killing The Blues》
最佳乡村乐器演奏：《Cluster Pluck》Brad Paisley, James Burton, Vince Gill, John Jorgenson, Albert Lee, Brent Mason, Redd Volkaert &Steve Wariner
最佳乡村歌曲： Jennifer Nadles《Stay》
最佳乡村专辑： George Strait《Trabador》
最佳兰草专辑：《Honoring The Fathers Of Bluegrass: Tribute To 1946 And 1947》Ricky Skaggs &Kentucky Thunder
最佳新世纪专辑：《Peace Time》Jack DeJohnette
最佳当代爵士乐专辑：《Randy In Brasil》Randy Brecker
最佳爵士演唱专辑： 《Loverly》Cassandra Wilson
最佳爵士乐器独奏：《Be-Bop》Terence Blanchard, soloist
最佳爵士演奏专辑： 《The New Crystal Silence》Chick Corea &Gary Burton
最佳大爵士乐团专辑：《Monday Night Live At The Village Vanguard》The Vanguard Jazz Orchestra
最佳拉丁爵士专辑：《Song For Chico》Arturo O‘Farrill &The Afro-Latin Jazz Orchestra
最佳灵乐表演：Mary Mary《Get Up》
最佳灵乐歌曲：《Help Me Believe》Kirk Franklin, songwriter (Kirk Franklin)
最佳摇滚/说唱灵乐专辑：《Alive And Transported》TobyMac
最佳流行/当代灵乐专辑：《Thy Kingdom Come》CeCe Winans
最佳南方、乡村或蓝草灵乐专辑：《Lovin‘ Life》Gaither Vocal Band
最佳传统灵乐专辑：《Down In New Orleans》The Blind Boys Of Alabama
最佳当代节奏蓝调灵乐专辑：《The Fight Of My Life》Kirk Franklin
最佳流行拉丁专辑：《La Vida...Es Un Ratico》Juanes
最佳拉丁摇滚/另类或城市音乐专辑： 《45》Jaguares
最佳拉丁城市专辑：《Los Extraterrestres》Wisin y Yandel
最佳热带拉丁专辑：《Seor Bachata》José Feliciano
最佳墨西哥/墨西哥-美洲专辑：《Amor, Dolor Y Lágrimas: Música Ranchera》《Canciones De Amor》Mariachi Divas
最佳特加诺专辑： 《Viva La Revolucion》Ruben Ramos &The Mexican Revolution
最佳诺特诺专辑： 《Raíces》Los Tigres Del Norte
最佳Banda专辑： 《No Es De Madera》Joan Sebástian
最佳传统蓝调专辑：《One Kind For》B.B.King
最佳当代蓝调专辑： 《City That Care Forgot》Dr. John And The Lower 911
作者：格莱美吧发言人 2009-2-9 12:32 回复此发言
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4 回复：Grammy2009年第51届格莱美奖各项完全名单
最佳传统民谣专辑： 《BringMeHome》Peggy Seeger
最佳当代民谣/美国本土专辑：《Raising Sand》Robert Plant &Alison Krauss
最佳印第安音乐专辑：《Come To Me Great Mystery —Native American Healing Songs》Tom Wasinger, producer
最佳夏威夷音乐专辑：《‘Ikena》Tia Carrere &Daniel Ho
最佳柴迪科舞曲/Cajun音乐专辑：《Live at the 2008 New Orleans Jazz &Heritage Festival》BeauSoleil &Michael Doucet
最佳雷鬼专辑：《Jah Is Real》Burning Spear
最佳传统世界音乐专辑：《Ilembe: Honoring Shaka Zulu》Ladysmith Black Mambazo
最佳当代世界音乐专辑：《Global Drum Project》 Mickey Hart, Zakir Hussain, Sikiru Adepoju &Giovanni Hidalgo
最佳波尔卡专辑：《Let The Whole World Sing》Jimmy Sturr And His Orchestra
最佳儿童音乐剧专辑：《Here Come The 123s》They Might Be Giants
最佳儿童朗读专辑：《Yes To Running! Bill Harley Live》 Bill Harley
最佳诵读专辑：《An Inconvenient Truth (Al Gore)》Beau Bridges, Cynthia Nixon &Blair Underwood
最佳喜剧专辑： 《It‘s Bad For Ya》George Carlin
最佳音乐剧专辑：《In The Heights》
最佳改编音乐专辑：《Juno》
最佳原创音乐专辑：《The Dark Knight》James Newton Howard &Hans Zimmer, composers
最佳歌曲：**《Wall-E》中的歌曲《DownToEarth》
最佳器乐作曲：《The Adventures Of Mutt (From Indiana Jones And The Kingdom Of The Crystal Skull)》John Williams, composer (John Williams)
最佳器乐编曲：《Define Dancing (From Wall-E)》Peter Gabriel &Thomas Newman
最佳器乐编曲伴唱：《Here‘s That Rainy Day》Nan Schwartz, arranger (Natalie Cole)
最佳唱片包装：《Death Magnetic》(Metallica) Bruce Duckworth, Sarah Moffat &Did Turner, art directors
最佳盒装/限量发行版包装： 《In Rainbows》(Radiohead) Stanley Donwood, Mel Maxwell &Christiaan Munro, art directors
最佳专辑注解：《An inconvienient Truth》
最佳历史专辑：《Art Of Field Recording Volume I: Fifty Years Of Traditional》
最佳非古典类工程专辑：《Consolers Of The Lonely》(The Raconteurs)Joe Chiccarelli, Vance Powell &Jack White III, engineers
作者：格莱美吧发言人 2009-2-9 12:32 回复此发言
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5 回复：Grammy2009年第51届格莱美奖各项完全名单
年度最佳非古典类制作人：Rick Rubin
Death Magnetic (Metallica)
Home Before Dark (Neil Diamond)
Mercy (Dancing For The Death Of An Imaginary Enemy)
Seeing Things (Jakob Dylan)
Weezer (Red Album) (Weezer)
最佳非古典类混音唱片：《Electric Feel (Justice Remix)》Justice, remixers (MGMT)
最佳环绕音响专辑：《Mussorgsky: Pictures At An Exhibition; Night On Bald Mountain; Prelude To Khovanshchina》
最佳古典类工程专辑：《Traditions And Transformations: Sounds Of Silk Road Chicago》
年度最佳古典类制作人：Did Frost
Berlioz: Symphonie Fantastique (Gusto Dudamel &Los Angeles Philharmonic)
Right Through The Bone —Julius Rntgen Chamber Music (ARC Ensemble)
Schubert: Sonata In D Maj.; Liszt: Don Juan Fantasy (Min Kwon)
Traditions And Transformations: Sounds Of Silk Road Chicago (Miguel Harth-Bedoya, Alan Gilbert, Yo-Yo Ma, Silk Road Ensemble, Wu Man &Chicago Symphony Orchestra)
最佳古典专辑：《Weill: Rise And Fall Of The City Of Mahagonny》James Conlon
最佳管弦乐队：《Shostakovich: Symphony No. 4》Bernard Haitink
最佳歌剧唱片：《Weill: Rise And Fall Of The City Of Mahagonny》James Conlon
最佳合唱团：《Symphony Of Psalms》Sir Simon Rattle
最佳器乐独奏(与管弦乐队合作)：《Schoenberg/Sibelius: Violin Concertos》Esa-Pekka Salonen
最佳器乐独奏(无管弦乐队) ：《Piano Music Of Salonen, Stucky, And Lutoslawski》Gloria Cheng（陈克兰）
最佳室内音乐演奏： 《Carter, Elliott: String Quartets Nos. 1 And 5》Pacifica Quartet
最佳小乐队演奏奖：《Spotless Rose: Hymns To The Virgin Mary》Charles Bruffy, conductor; Phoenix Chorale
最佳古典演唱：《Corigliano: Mr. Tambourine Man: Seven Poems Of Bob Dylan》 Hila Plitmann
最佳当代古典音乐作曲奖：《Mr. Tambourine Man: Seven Poems Of Bob Dylan》John Corigliano (JoAnn Falletta)
最佳古典跨界专辑：《Simple Gifts》The King‘s Singers
最佳短篇音乐录影带：《Pork And Beans》Weezer
最佳长篇音乐录影带：《Runnin‘ Down A Dream》Tom Petty &The Heartbreakers
请人帮个忙,<飞越疯人院>的影评谁帮我写点,非常感谢了!!!!!!!!!!!!!
五篇不少了，写十篇就累死了呵呵，先用着吧1. 化学秘密读后感 Chemical secret book review In this winner holidays， I read the "Chemical Secret" in “shuchong”，Although not quite like to watch the English novel, but I watched this addiction! For me this novel is a timid man "thriller". The novel is about Mr. Duncan's Paint career: from an impoverished unemployed people to find a wealthy and rich career, to return to live in a *** all apartment in a dirty unemployed people. Unconventional and downs throughout the story, it is a good thing can be instantly transformed into a negative factor, is "a blessing in disguise, bad thing.". Duncan is both sympathetic and people who hate people. He is a petent biologist, found that the toxicity of the paint factory, but the boss is under coercion self-deception to think no one will hurt, but to the munity to conceal the truth. Sadly, his pregnant daughter, to uncover the truth, unfortunately, in the survey fall into the river, was filling with venom of this river. At the end of his walk in the way to the hospital, mental uneasy thought: fetal malformation ... This makes the novel even more tragic and suspense.I do not like this inside the paint Did's boss, Did is a person who only seek their own interests, he ignored the safety of others, just know that money is really selfish shameful act! Be clearly seen in his pany and drink contaminated water to seal poisoning, but he said the paint quickly into the sea, we never drink, it was only 200 million dollars a purification equipment costs. We all know the importance of environmental protection, but in the interests of the face, which one would you choose?2.牙齿和爪子读后感 Teeth and claws book review In this winner holidays， I read the "Teeth and claws" in “shuchong”， Teeth and claws"Book" teeth and claws "This book is the story of a few short and pithy:" Lay Denis. Washi Ta "," storytelling "and" Gabriel Ernest. ""Tuobo Maury," "wolf," consisting of. The length of each story is not long, but it is Sylvia wonderful. Author hecla Hugh Munro was a correspondent, also a writer.Good with a clear and concise language to tell a wonderful story of one vivid. He wrote wonderful short stories known. He was born 1870, died in 1916. Each book is a kind of hero story aggressive animals. Bizarre fantasy story, but brilliant. May be surprising is that the authors and do not let these animals ear in the forest steppe, but these animals ear in the elegant room, the king's garden or a beautiful mansion. These animals will suddenly ear, people by surprise. These animals with their own animal, injury or swallowing. But they always tear up the human camouflage, exposing the depths of human nature to most. 3.在月亮下面读后感 The following book review in the Moon The sun is burning a huge fireball. Without light and heat from the sun, we can not survive on the pla Earth. The ozone layer around the pla to protect us from the fire of the sun damage. However, if the ozone layer break, be like? Read the story below in the moon, I he a more deep sentiment: to protect the earth, we must first protect the ozone layer is not destroyed, reducing CFC emissions. All life on Earth would be no life left the sunlight and the sun light is visible light, ultriolet, infrared, three parts. Sunlight into the atmosphere (including UV), 55% of light through the atmosphere to the earth and sea, of which 40% of visible light, which is the driving force for photosynthesis, green plants; 5% 100 ~ 400 nm welength ultriolet light, and ultriolet divided into long we, medium we, short we ultriolet light, UVA can sterilization. But the welength of 200 ~ 315 nm short-we ultriolet radiation on the human body and biological harmful. When it passes through the stratosphere, the most absorbed by the ozone layer. However, in the fast advancement of human technology, a large discharge of sewage and toxic gases, hey use of products containing CFCs, the ozone layer destruction. Imagine, if the "ozone layer" that destroyed the umbrella of the Earth, the Earth will hen? How should we do to protect the ozone layer? We can drive less, use less products containing CFCs, no radiation of liances to buy ...... To our pla, please protect the ozone layer. Hope that through our efforts, not to expand empty, and even to restore the original earance of the earth more beautiful, more human health and longevity!4.苏格兰玛丽女王读后感 Mary Queen of Scots book reviewHighlights of biographical literature, is that person's life can be condensed in the hundreds of book pages. Years in the past few decades, the proud, frustrated, wonderful, hardship, and all of life, the only change made a point of looking down to watch, it bees a few simple screen theater. A person's fate, on the stage of history, how *** all, and time is the best explanation of who, decades or centuries after the spectator, through the biographies of the fire, you can see all the ups and downs of fate minor context to say that this is a wonderful thing. About Scotland, in addition to bagpipes, plaid skirt, the really is not much known, that the island is located in the north of England, leing the impression is bleak and tragic, this impression and bagpipes, but also on the Ministry and that the "bre heart "of film-related. ? do not say that Mary Stuart and Elizabeth scores beeen, the book has been written very clearly. ? About Mary Stuart, book reading, there is a personal taste of the image. She seems to be a beautiful winged butterfly with Fenghua, in her youth before the age of 25 years, she was free, lush, elegant and lucky. She lightly flying around, hy, beautiful, popular everywhere, people adore. But her rash and impulsive, she such a temperament, if it is a normal woman, the only sacrifice of love or marriage, but she was crowned Queen of the head, being in the center of the vortex of politics, so not far from the tragedy in waiting her. ? After 25 years of age Mary Stuart is still lush, elegant, but she has lost the most precious freedom, hiness is no longer blessing to her, she is still beautiful but the trembling of the wings has been unable to fly day and night thinking she broke free, But the shackles of the body bee increasingly tight, until she brought no return. ? in Mary Stuart's fate, the protagonist Elizabeth can not be ignored, o women, a struggle of several decades of war, and then o pletely different fate. The work style of the novel is beeen statements and beeen historical facts, but has a longer length on women's psychological description, Zweig's language because they know and love, so read it is quite calm.5. 逆戟鲸 读后感 Killer whale book review I recently read a book, the name is "killer whale." Animals and people, with feelings and emotions, the feelings of people in almost all animals found; human animals can also be inspired. We should protect animals, not kill animals, or animals will also be retaliation, only people and animals live in harmony, the world was more beautiful and more exciting. Animals need to learn many things, and what help each other ah, ah, and so pay attention to instrumentation, and even in some respects we do not like animals do. Animals and people should live in harmony. "Orcas" to tell a man to kill the mother whale, when the male whale in a sea fell to his death at the tip of the man had done. The article tells us that the brutal cruelty to animals, nature will inevitably be punished. Animal protection is everyone's responsibility, we must not only protect animals, but also to protect their living environment is not destroyed, so that people and animals to mutual benefit. I read this book a great harvest, you read it, I believe you will understand the truth of many
英语小故事的读后感
这里找到几篇，供参考：
·One Flew Over the Cuckoo's Nest
Talent: Brisbane Arts Theatre
Directed by Jan Paterson
Until 12 June
Date of Review: Thursday, 3 June 2004
I am not keen on the notion of critics comparing one production with another of the same play. I am really not keen on critics who compare film versions with stage versions and vice verse and so it is here that I run into my first and only major problem with this particular play. As such I will he to at least make mention of the film versus stage dilemma as it relates to this show.
Jack Nicholson defined the role of Randle P. McMurphy for all time in the movie of the same name and has since made it nearly impossible for actors who he tried to bring something new to the many subsequent stage versions. However, Michael Mudd may just be the exception to a rather generalist rule here. He has managed to capture just enough of Nicholson's menace to make the role identifiable to so-called film "purists", while at the same time bringing much of his own interpretation to the role as well. Mudd's McMurphy is just as menacing but perhaps a little more sule than Nicholson's - and rather cleaner looking too!
That, however, is as far as I really wish to go with the comparisons. As I said I don't think much is to be gained by continuing down that path.
In this particular production the Arts Theatre he really excelled themselves in regard to producing a good piece of well-directed, tight, well-designed theatre. I feel at least some of this is due to the casting of Michael Mudd in the central role but that should not detract from the pivotal (and in many cases quite exceptional) work done by actors in many of the other roles. Nor should it detract from the work done by director Jan Paterson, who steered the creative energies of the cast into a coherent production so very different from much of her previous work.
The cast is really rather too large to single any one member out for individual comment. However I feel an exception should be made in the case of Karen Peart in the role of Nurse Ratched. While being possibly about ten years too young for the role, I believe she brought considerable vision to the role. She captured beautifully the uneasy balance of a woman who ears like the ultimate bitch but who understands, probably better than McMurphy, that the structure her regime offers is possibly the only hope for some of her patients.
This is a good play, with strong characterization, written by a talented playwright and it has lost none of its eal in the forty years since it was written. Attention to detail on the part of Graham McKenzie as set designer, and Robin Edwards as costume designer he also gone a long way to ensuring that this community theatre production of a classic of twentieth century theatre will go a long way to being the success it deserves to be.
I he praised and criticized the Arts Theatre on a number of occasions in regard to their productions and therefore he no hesitation in encouraging you to support this particular production.
Four Stars
Nigel Munro-Wallis
·One Flew Over the Cuckoo's Nest
Theater Guild of Webster Groves
Reviewed by Sean Ruprecht-Belt
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Audiences going to see the stage adaptation of Ken Kesey's brilliant novel, One Flew Over the Cuckoo's Nest now playing at the Theater Guild of Webster Groves may be in for the theatrical equivalent of a pre-frontal lobotomy. The novel, a masterpiece of 1960's fiction, places it's anarchic, lost hero, Randle McMurphy in a mental institution as a sort of symbolic representation of Kesey's anarchic, generation lost in the madhouse of an American society. As a novel, full of passion and wildness, it works. McMurphy shows the other inmates of the men's mental ward the way to shake off their medicated lethargy and their servitude to the monstrous Big Nurse Ratched, though he is ultimately sacrificed for the cause. In a stage adaptation, we lose a great deal of the complexity and range of the novel and it is up to the actors and the director to provide for the audience the passion, intensity and seditious, nose-thumbing humor necessary for this piece to work.
In this production, however, the Theater Guild of Webster Groves has missed the mark. The actors are all doing their best, and some of them, notably Stephanie Shaw, Thom Grunenfelder, and Tom Kanaugh he some very nice, very genuine moments. Everyone else on the stage seemed to at least know their lines and where they were supposed to be. Which is certainly a plus. But director Ginny Austerman has not helped her actors at all. She has not worked to move the story at a good pace, to turn her actor's weaknesses to advantages, or to present a cohesive attitude towards the material. All things which a successful director must do. This requires more than opening the building and rudimentary traffic direction on the stage.
This story has to be driven by the pitched battle between McMurphy and Nurse Ratched to determine who is going to be the 'Head Bull-Goose Loony' of the ward. Unfortunately, the feeling of high-stakes, of literal life and intellectual death, in this conflict, never materialized. This Nurse Ratched was never the evil insidious presence the situation calls for and Matt Holtmann's McMurphy was certainly obnoxious and annoying, sort of like any number of South City hoosiers with one too many beers in them. But he never roached either the hair-trigger unpredictability or the underlying promise of sage violence this character needs to achieve heroic status at the end of the play.
The uncredited set design was well done, lending a bleak, depressing, institutional look to the production. The washed out green of the walls and the wire mesh over the windows were particularly good touches. Costumes were adequate, although perhaps a bit too crisp and white for long-term patients to be wearing.
One Flew Over The Cuckoo's Nest will continue through September 19 at the Theater Guild of Webster Groves 517 Theater Lane. Call 962-0876 for more information.
·ONE FLEW OVER THE CUCKOO'S NEST
Barbican Theatre, London EC2
Opened 27 July, 2000
In the final minutes of the film Being John Malkovich, "Malkovich" reveals to friend Charlie Sheen how a group of them might live for ever: "You, me... Gary Sinise, maybe." If the reception given to his stage performance in One Flew Over The Cuckoo's Nest is anything to go by, Malkovich's sometime Steppenwolf associate Sinise has earned his place among those immortals. The Chicago company's production not only brought the opening-night audience at the Barbican to their feet, but more tellingly elicited loud gasps during the performance – not through any brura or pyrotechnics, but simply because we had become so immersed in the narrative that some of its twists drew genuine shock and dismay.
Dale Wasserman's 1965 stage adaptation of Ken Kesey's novel about a liberating new presence on a mental ward is different in many ways from Milos Forman's subsequent film version. Wasserman and director Terry Kinney retain some of the point-of-view narration of Chief Bromden, the huge schizophrenic Indian persuaded to speak after many years of silence by the simple, playful kindness of newcomer McMurphy; when Tim Sampson delivers these bridging passages, he is isolated in a spotlight as slide projections move across the darkened walls to suggest the vast, infernal machines of the Chief's imaginings. It also becomes arent that Randle P. McMurphy and Jack Nicholson are not one and the same: Sinise, in his leather jacket and lumberjack shirt, characterises McMurphy as an exceptionally shrewd redneck, naturally exuberant and only given to disruption or misrule when overly restrictive rules are forced upon him in the first place. In this case, the agent of oppression is Nurse Ratched, whose cold, "for your own good" belittlement of patients and other staff alike is played by Amy Morton with the kind of measured, dispassionate delivery at which Lindsay Crouse so excels; she suggests stronger feelings screwed tightly down, and eventually, under McMurphy's cheery provocation, these geyser to the surface.
Robert Brill's set, with its huge, curving white walls and lintels, suggests a kind of psychiatric Odeon. Kinney's sure directorial touch takes an arently straight naturalistic line in terms of performance, but does not neglect deeper symbolism; he uses passages of Hendrix between scenes, to suggest at once the seemingly chaotic uproar which McMurphy brings and the pioneering promise of freedom which he embodies. The other patients on the ward are efficiently and often winningly characterised. (I was particularly taken with Danton Stone as Martini, prone to hallucination and smilingly dealing cards and passing basketballs to people who aren't there.) The feelgood which Kinney's production brings is not of the vapid, sentimental kind; it is a story straightforwardly told but which conveys the deeper affirmation that "the machine" can still be overcome by a good, wild yawp.
Written for the Financial Times.
·Review: 'One Flew Over the Cuckoo's Nest'
April 30, 2006
By Kathy Janich
Almost everyone knows One Flew Over the Cuckoo's Nest from either the 1962 novel or the 15 film starring a wild-eyed Jack Nicholson. So the main question surrounding a stage production today is why do it at all. What does a story that is clearly rooted in the rebellion of a different era he to say to a contemporary audience — and to the audience of Atlanta's Dad's Garage Theatre, which is largely 35 and under. The answer: more than you might think.
The story still speaks to the disenfranchised, the unpopular kid, anyone ever on the wrong side of a bullying boss, teacher, or parent. In today's terms, it speaks to those who see a lobotomized America in the hands of a trigger-hy president. (Ditto Britons castrated by the policies of Tony Blair: A London Cuckoo's Nest featuring Christian Slater as firebrand Randle P. McMurphy runs in the West End until June.)
Yet if Cuckoo's Nest needs a little TLC to maintain its antiestablishment message, director Kate Warner and her team provide it. They've worked hard to make their storytelling primal, unpredictable, and unsettling. The cast of 12 — the original Broadway run, starring Kirk Douglas, had 23; the 2001 revival had 20 — fills the 50-seat black box with its manic wanderings, therapy sessions, and card and mind games.
The audience is tucked just inside the mental hospital's day room, up close and personal as McMurphy and the other patients fight for a say in their daily lives. They — and we — are surrounded by stark white walls, faux dropped ceilings, and bright institutional lights (the "environment design" is by Jamie Warde). The floor is a scuffed black-and-white checkerboard, the furniture is plastic and utilitarian, and the only window is barred and locked. We sit single file, our backs to the walls. When Chief Bromden, the hallucinatory hero-narrator, shuffles by with his broom, its bristles almost tickle our toes. Can anyone say "claustrophobic"?
Thomas Piper plays McMurphy as a bigger-than-life bird, a balls-to-the-wall, pedal-to-the-metal kind of guy who bursts into the action with such vigor he shifts the atmospheric pressure. He's tall, well-built, handsome, reckless — sometimes too reckless for the small space — but you can't argue with the telling contrast between his boisterousness and his sensitivity as he champions the baby steps of Billy Bibbit (Tim Stoltenberg) toward manhood or coaxes Bromden (Mike Schatz) out of his deaf-mute shell.
The other actors also give specific performances, at once endearing and annoying: Steven L. Emanuelson uses a nasal voice, twitching fingertips, and squinting eyes to betray the rampant insecurities of Harding, the nervous-Nellie brainiac emasculated by his wife's buoyant bra size. Stoltenberg, as a stuttering mama's boy, combines childlike fears and naiveté with the poignant desire to be just one of the guys. As Martini, Chris Blair is a scared little rabbit and frenetic co-conspirator, guffawing oddly, his head swiveling as if to detect danger. Schatz, though hard to hear at first, has us near tears in the final scenes.
And then there's Tiffany Morgan's Nurse Ratched, played more as a brittle control freak than novelist Ken Kesey's truly evil manipulator. She's intimidating if you're a mental patient or hospital colleague, I guess, but she never really shows us why.
In her program notes, director Warner writes of her longtime attachment to Cuckoo's Nest and its "still resonant idea that outsiders can show us more truths about ourselves." Is that crazy? Not so much.
One Flew Over the Cuckoo's Nest runs April 14-May 6 at Dad's Garage Theatre Company, 280 Elizabeth St. N.E., Atlanta. Tickets: (404) 523-3141. Website: .dadsgarage.
----Will
《逃离》的英文主题简介
读后感是指读了一本书，一篇文章，一段话，几句名言，一段音乐，或者一段后，把具体感受和得到的启示写成的文章。我收集整理的英语小故事的读后感，欢迎大家查阅!
英语小故事的`读后感1Chemical secret book review
In this winner holidays, I read the "Chemical Secret" in “shuchong”,Although not quite like to watch the English novel, but I watched this addiction!
For me this novel is a timid man "thriller". The novel is about Mr. Duncan's Paint career: from an impoverished unemployed people to find a wealthy and rich career, to return to live in a small apartment in a dirty unemployed people. Unconventional and downs throughout the story, it is a good thing can be instantly transformed into a negative factor, is "a blessing in disguise, bad thing.".
Duncan is both sympathetic and people who hate people. He is a competent biologist, found that the toxicity of the paint factory, but the boss is under coercion self-deception to think no one will hurt, but to the community to conceal the truth. Sadly, his pregnant daughter, to uncover the truth, unfortunately, in the survey fall into the river, was filling with venom of this river. At the end of his walk in the way to the hospital, mental uneasy thought: fetal malformation ... This makes the novel even more tragic and suspense.
I do not like this inside the paint Did's boss, Did is a person who only seek their own interests, he ignored the safety of others, just know that money is really selfish shameful act! Be clearly seen in his company and drink contaminated water to seal poisoning, but he said the paint quickly into the sea, we never drink, it was only 200 million dollars a purification equipment costs.
We all know the importance of environmental protection, but in the interests of the face, which one would you choose?
英语小故事的读后感2Teeth and claws book review
In this winner holidays, I read the "Teeth and claws" in “shuchong”, Teeth and claws"Book" teeth and claws "This book is the story of a few short and pithy:" Lay Denis. Washi Ta "," storytelling "and" Gabriel Ernest. ""Tuobo Maury," "wolf," consisting of. The length of each story is not long, but it is Sylvia wonderful. Author hecla Hugh Munro was a correspondent, also a writer.Good with a clear and concise language to tell a wonderful story of one vivid. He wrote wonderful short stories known. He was born 1870, died in 1916.
Each book is a kind of hero story aggressive animals. Bizarre fantasy story, but brilliant. May be surprising is that the authors and do not let these animals ear in the forest steppe, but these animals ear in the elegant room, the king's garden or a beautiful mansion. These animals will suddenly ear, people by surprise. These animals with their own animal, injury or swallowing. But they always tear up the human camouflage, exposing the depths of human nature to most.
英语小故事的读后感3The following book review in the Moon
The sun is burning a huge fireball. Without light and heat from the sun, we can not survive on the planet Earth. The ozone layer around the planet to protect us from the fire of the sun damage. However, if the ozone layer break, be like?
Read the story below in the moon, I he a more deep sentiment: to protect the earth, we must first protect the ozone layer is not destroyed, reducing CFC emissions.
All life on Earth would be no life left the sunlight and the sun light is visible light, ultriolet, infrared, three parts. Sunlight into the atmosphere (including UV), 55% of light through the atmosphere to the earth and sea, of which 40% of visible light, which is the driving force for photosynthesis, green plants; 5% 100 ~ 400 nm welength ultriolet light, and ultriolet divided into long we, medium we, short we ultriolet light, UVA can sterilization. But the welength of 200 ~ 315 nm short-we ultriolet radiation on the human body and biological harmful. When it passes through the stratosphere, the most absorbed by the ozone layer.
However, in the fast advancement of human technology, a large discharge of sewage and toxic gases, hey use of products containing CFCs, the ozone layer destruction. Imagine, if the "ozone layer" that destroyed the umbrella of the Earth, the Earth will hen?
How should we do to protect the ozone layer? We can drive less, use less products containing CFCs, no radiation of liances to buy .
To our planet, please protect the ozone layer. Hope that through our efforts, not to expand empty, and even to restore the original earance of the earth more beautiful, more human health and longevity!
格莱美的获奖曲目和歌手名 2009
《逃离》是2013年诺贝尔文学奖得主加拿大短篇女王艾丽丝·门罗（又译艾丽斯·芒罗）代表作，并曾于2009年荣获布克国际奖，是国内引进的该作家的第一本中文简体作品，全书共收录八篇作品，集中体现了爱丽丝·门罗的文学造诣。
"Escape" is the 2013 Nobel prize winner of Canadian short stories of Queen Alice Monroe (also translated Alice Munro) representative, and was awarded the Man Booker International Award in 2009, the writer introduced from abroad the first Chinese simplified works, a total of eight articles included works, embodies a concentrated reflection of Alice Monroe's literary attainments.
《逃离》是由几部短篇而组成的, 主人公都是平凡的女人，她们都来自城郊小镇, 在里同命运: 她们为自己的感情而烦恼, 被爱情所困惑, 为而一时冲动。她们同样渴望爱情, 寻觅真爱, 但同时又不知所措……其中短篇《匆匆》讲的是曾经是书呆子的未婚妈妈朱丽叶，与在小镇上居住的做教师的父母以及带着两个孩子的22岁丧偶的保姆艾琳的故事。
"Escape" is composed of several short stories and composition, the protagonist is ordinary woman, they are from suburban town, in the novel the same destiny: their own feelings and troubles, was puzzled by the love, passion and impulse to. They are longing for love, the search for true love, but at the same time and at a loss...... The short story "hastily" is about once a nerd unmarried mother Juliet, and as a teacher and parents live in a small town with two children 22 years old widowed nanny Aileen story.
翻译 short story writer alice munro此阅读
第51届格莱美奖于北京时间2月9日上午在美国洛杉矶斯台普斯中心隆重举行。本届格莱美完全获奖名单为：
年度最佳唱片：《Please Read The Letter》Robert Plant &Alison Krauss
年度最佳专辑：《Raising Sand》Robert Plant &Alison Krauss
年度最佳歌曲：Coldplay《Viva La Vida》Guy Berryman, Jonny Buckland, Will Champion &Chris Martin, songwriters
最佳新人：Adele
最佳流行男歌手：John Mayer
最佳流行女歌手：Adele
最佳流行乐队/组合：coldplay《Viva la vida》
最佳流行合唱：Robert Plant &Alicon《Rich Woman》
最佳流行器乐演奏：Eagles 《I Dreamed There Was No War》
最佳流行乐器演奏专辑： Bela Flack《Gingle all the way》
最佳流行演唱专辑：Duffy《Rockferry》
最佳传统流行演唱专辑：Natalie Cole《Still Unforgettable》
最佳舞曲唱片：Daft Punk 《Harder Better Faster Stronger》
最佳电子/舞曲专辑：Daft Punk《Alive 2007》
最佳摇滚歌手： Johne Mayer《Grity》
最佳摇滚乐队/组合：Kings of Lion 《Sex on fire》
最佳硬摇滚演奏：The Mars Volta《Wax Simulacra》
最佳金属演奏： Metallica《My Apocalyse》
最佳摇滚乐器演奏：Za Plays Za &Steve Vai &Napoleon Murphy Brock《Peaches En Regalia》
最佳摇滚歌曲：Bruce Springs《Summer Cloth》
最佳摇滚专辑： 《Viva La Vida》Coldplay
最佳另类音乐专辑：Radiohead《in rainbows》
最佳女R&B歌手：Alicia Keys《Superwoman》
最佳R&B男歌手：Ne-Yo《Miss Independent》
最佳R&B乐队/组合：Al Green &John Legend《Stay with me》
最佳传统R&B歌手：Al Green Featuring Anthony Hamilton《You‘ve Got The Love I Need》
最佳城市音乐/另类歌手：Chrisette Michele &will.i.am《Be ok》
最佳R&B歌曲：Mikkel S. Eriksen, T.E. Hermansen &S. Smith《Miss Independent》
最佳R&B专辑：《Jennifer Hudson》Jennifer Hudson
最佳当代R&B专辑：Mary J.Blige《Growing Pains》
最佳说唱歌手：Lill Wayne《a milli》
最佳说唱乐队/组合：Jay-Z &T.I《Swagga Like Us》
最佳说唱歌曲合作：Estelle &kanye west《美国男孩》
最佳说唱歌曲：Lil Wayne &Static Major《Lollipop》
最佳说唱专辑： Lil Wayne《Tha Carter III》
最佳乡村女歌手： Carrie Underwood《Last Name》
最佳乡村男歌手： Brad Paisley《Letter To Me》
最佳乡村乐队/组合：《Stay》Sugarland
作者：职业恶魔 2009-2-9 14:23 回复此发言
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2 第51届格莱美奖完全获奖名单
最佳乡村合唱： Robert Plant &Alison Krauss《Killing The Blues》
最佳乡村乐器演奏：《Cluster Pluck》Brad Paisley, James Burton, Vince Gill, John Jorgenson, Albert Lee, Brent Mason, Redd Volkaert &Steve Wariner
最佳乡村歌曲： Jennifer Nadles《Stay》
最佳乡村专辑： George Strait《Trabador》
最佳兰草专辑：《Honoring The Fathers Of Bluegrass: Tribute To 1946 And 1947》Ricky Skaggs &Kentucky Thunder
最佳新世纪专辑：《Peace Time》Jack DeJohnette
最佳当代爵士乐专辑：《Randy In Brasil》Randy Brecker
最佳爵士演唱专辑： 《Loverly》Cassandra Wilson
最佳爵士乐器独奏：《Be-Bop》Terence Blanchard, soloist
最佳爵士演奏专辑： 《The New Crystal Silence》Chick Corea &Gary Burton
最佳大爵士乐团专辑：《Monday Night Live At The Village Vanguard》The Vanguard Jazz Orchestra
最佳拉丁爵士专辑：《Song For Chico》Arturo O‘Farrill &The Afro-Latin Jazz Orchestra
最佳灵乐表演：Mary Mary《Get Up》
最佳灵乐歌曲：《Help Me Believe》Kirk Franklin, songwriter (Kirk Franklin)
最佳摇滚/说唱灵乐专辑：《Alive And Transported》TobyMac
最佳流行/当代灵乐专辑：《Thy Kingdom Come》CeCe Winans
最佳南方、乡村或蓝草灵乐专辑：《Lovin‘ Life》Gaither Vocal Band
最佳传统灵乐专辑：《Down In New Orleans》The Blind Boys Of Alabama
最佳当代节奏蓝调灵乐专辑：《The Fight Of My Life》Kirk Franklin
最佳流行拉丁专辑：《La Vida...Es Un Ratico》Juanes
最佳拉丁摇滚/另类或城市音乐专辑： 《45》Jaguares
最佳拉丁城市专辑：《Los Extraterrestres》Wisin y Yandel
最佳热带拉丁专辑：《Seor Bachata》José Feliciano
最佳墨西哥/墨西哥-美洲专辑：《Amor, Dolor Y Lágrimas: Música Ranchera》《Canciones De Amor》Mariachi Divas
最佳特加诺专辑： 《Viva La Revolucion》Ruben Ramos &The Mexican Revolution
最佳诺特诺专辑： 《Raíces》Los Tigres Del Norte
最佳Banda专辑： 《No Es De Madera》Joan Sebástian
最佳传统蓝调专辑：《One Kind For》B.B.King
最佳当代蓝调专辑： 《City That Care Forgot》Dr. John And The Lower 911
最佳传统民谣专辑： 《BringMeHome》Peggy Seeger
最佳当代民谣/美国本土专辑：《Raising Sand》Robert Plant &Alison Krauss
作者：职业恶魔 2009-2-9 14:23 回复此发言
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3 第51届格莱美奖完全获奖名单
最佳印第安音乐专辑：《Come To Me Great Mystery —Native American Healing Songs》Tom Wasinger, producer
最佳夏威夷音乐专辑：《‘Ikena》Tia Carrere &Daniel Ho
最佳柴迪科舞曲/Cajun音乐专辑：《Live at the 2008 New Orleans Jazz &Heritage Festival》BeauSoleil &Michael Doucet
最佳雷鬼专辑：《Jah Is Real》Burning Spear
最佳传统世界音乐专辑：《Ilembe: Honoring Shaka Zulu》Ladysmith Black Mambazo
最佳当代世界音乐专辑：《Global Drum Project》 Mickey Hart, Zakir Hussain, Sikiru Adepoju &Giovanni Hidalgo
最佳波尔卡专辑：《Let The Whole World Sing》Jimmy Sturr And His Orchestra
最佳儿童音乐剧专辑：《Here Come The 123s》They Might Be Giants
最佳儿童朗读专辑：《Yes To Running! Bill Harley Live》 Bill Harley
最佳诵读专辑：《An Inconvenient Truth (Al Gore)》Beau Bridges, Cynthia Nixon &Blair Underwood
最佳喜剧专辑： 《It‘s Bad For Ya》George Carlin
最佳音乐剧专辑：《In The Heights》
最佳改编音乐专辑：《Juno》
最佳原创音乐专辑：《The Dark Knight》James Newton Howard &Hans Zimmer, composers
最佳歌曲：**《Wall-E》中的歌曲《DownToEarth》
最佳器乐作曲：《The Adventures Of Mutt (From Indiana Jones And The Kingdom Of The Crystal Skull)》John Williams, composer (John Williams)
最佳器乐编曲：《Define Dancing (From Wall-E)》Peter Gabriel &Thomas Newman
最佳器乐编曲伴唱：《Here‘s That Rainy Day》Nan Schwartz, arranger (Natalie Cole)
最佳唱片包装：《Death Magnetic》(Metallica) Bruce Duckworth, Sarah Moffat &Did Turner, art directors
最佳盒装/限量发行版包装： 《In Rainbows》(Radiohead) Stanley Donwood, Mel Maxwell &Christiaan Munro, art directors
最佳专辑注解：《An inconvienient Truth》
最佳历史专辑：《Art Of Field Recording Volume I: Fifty Years Of Traditional》
最佳非古典类工程专辑：《Consolers Of The Lonely》(The Raconteurs)Joe Chiccarelli, Vance Powell &Jack White III, engineers
年度最佳非古典类制作人：Rick Rubin
Death Magnetic (Metallica)
Home Before Dark (Neil Diamond)
Mercy (Dancing For The Death Of An Imaginary Enemy)
作者：职业恶魔 2009-2-9 14:23 回复此发言
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4 第51届格莱美奖完全获奖名单
Seeing Things (Jakob Dylan)
Weezer (Red Album) (Weezer)
最佳非古典类混音唱片：《Electric Feel (Justice Remix)》Justice, remixers (MGMT)
最佳环绕音响专辑：《Mussorgsky: Pictures At An Exhibition; Night On Bald Mountain; Prelude To Khovanshchina》
最佳古典类工程专辑：《Traditions And Transformations: Sounds Of Silk Road Chicago》
年度最佳古典类制作人：Did Frost
Berlioz: Symphonie Fantastique (Gusto Dudamel &Los Angeles Philharmonic)
Right Through The Bone —Julius Rntgen Chamber Music (ARC Ensemble)
Schubert: Sonata In D Maj.; Liszt: Don Juan Fantasy (Min Kwon)
Traditions And Transformations: Sounds Of Silk Road Chicago (Miguel Harth-Bedoya, Alan Gilbert, Yo-Yo Ma, Silk Road Ensemble, Wu Man &Chicago Symphony Orchestra)
最佳古典专辑：《Weill: Rise And Fall Of The City Of Mahagonny》James Conlon
最佳管弦乐队：《Shostakovich: Symphony No. 4》Bernard Haitink
最佳歌剧唱片：《Weill: Rise And Fall Of The City Of Mahagonny》James Conlon
最佳合唱团：《Symphony Of Psalms》Sir Simon Rattle
最佳器乐独奏(与管弦乐队合作)：《Schoenberg/Sibelius: Violin Concertos》Esa-Pekka Salonen
最佳器乐独奏(无管弦乐队) ：《Piano Music Of Salonen, Stucky, And Lutoslawski》Gloria Cheng（陈克兰）
最佳室内音乐演奏： 《Carter, Elliott: String Quartets Nos. 1 And 5》Pacifica Quartet
最佳小乐队演奏奖：《Spotless Rose: Hymns To The Virgin Mary》Charles Bruffy, conductor; Phoenix Chorale
最佳古典演唱：《Corigliano: Mr. Tambourine Man: Seven Poems Of Bob Dylan》 Hila Plitmann
最佳当代古典音乐作曲奖：《Mr. Tambourine Man: Seven Poems Of Bob Dylan》John Corigliano (JoAnn Falletta)
最佳古典跨界专辑：《Simple Gifts》The King‘s Singers
最佳短篇音乐录影带：《Pork And Beans》Weezer
最佳长篇音乐录影带：《Runnin‘ Down A Dream》Tom Petty &The Heartbreakers
原文;
Canada's Alice Munro, called the “master of the contemporary short story”, won the 2013 Nobel Prizein literature, the Swedish Royal Academy of Sciences announced Thursday. After that, the Nobel committee said on Twitter that it hadn't been able to contact Munro and left a phone message to tell her the good news. But The Canadian Press contacted her, and she was quoted as saying the award was “quite wonderful” and she was “terribly surprised.”
Doug Gibson, Munro's publisher read a statement on the author's behalf. “I am amazed and very grateful. I am particularly glad that winning this award will please so many Canadians. I'm hy that this will bring more attention to Canadian writing,” she said, according to Gibson.
“Munro is acclaimed for her finely tuned storytelling, which is characterized by clarity and psychological realism,” the Nobel committee said.
The author has won many honors over the years, including the 2009 Man Booker International Prize. “Alice Munro is mostly known as a short story writer and yet she brings as much depth, wisdom and precision to every story as most novelists bring to a lifetime of novels.” the Man Booker judging committee said at the time.
Munro, who lives in the southwestern Ontario town of Clinton, was born near there in Wingham. She started writing stories in her years and studied journalism and English at the University of WesternOntario. She published in various magazines starting in the 1950s.In 1968, she published Dance o f the Hy Shades, a collection of short stories. In 11 she published a collection of stories entitled Liveso f Girls and Women, which critics he described as a coming-of-age work.
Munro gained world fame for writing about everyday people. “Here we he a world prize being won by someone who writes about housewives in Vancouver, booksellers in Victoria, bean farmers in Huron County and accountants and teachers and librarians—ordinary Canadian people, and she turns it into magic,” Gibson said.
翻译：加拿大的爱丽丝Munro,被称为“当代短篇大师”,获得2013年诺贝尔奖文学,瑞典科学院宣布星期四。之后,诺贝尔委员会在Twitter上表示,它没有能够联系Munro和留下了电话留言告诉她好消息。但是加拿大记者联系了她,和她说这个奖项是“相当精彩”,她是“非常惊讶。”
道格·吉布森,Munro的出版商代表作者的宣读一份声明。”我很惊讶,非常感激。我特别高兴赢得这个奖项会请很多加拿大人。我很高兴,这将带来更多的关注加拿大写作,”她说,据吉布森。
“Munro赞誉她精细的叙事,特点是清晰和心理现实主义,”诺贝尔委员会说。
作者多年来赢得了许多荣誉,包括2009年的布克国际文学奖。”爱丽丝Munro大多是称为短篇作家,然而她带来深度、智慧和精确到每一个故事,因为大多数家带来一生的。”布克评判委员会当时说。
Munro,住在安大略省西南部的克林顿镇出生在温厄姆附近。她在青少年时期开始写故事和研究新闻和英语WesternOntario大学。她发表在各种杂志从1950年着1968年,她出版了舞蹈o f快乐的阴影,短篇故事的集合。在11年,她发表了一组故事题为Liveso f女童和妇女,而批评者形容为一个关于成长的工作。
Munro写日常人赢得了世界声誉。“我们有世界奖被人写了家庭主妇在温哥华、维多利亚书商,bean休伦县的农民和会计师,教师和librarians-ordinary加拿大人,她把它变成魔法,”吉布森说。
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